Saturday, December 22, 2018
'Feste Analysis in the First and Second Act of Twealth Night\r'
'Fools in Shakespeareââ¬â¢s plays appear often. In Othello, the Tempest, Macbeth and many another(prenominal)s, the clown is represented as an eclectic somebody paid to say the truth in a comic manner by means of songs and jokes. Even though Feste in Twelth shadowtime does not speak frequently in the first and flash acts, he says rich for us to see that he is an attentive and clever man. Firstly, well associated with the spirit of the one-twelfth night, the night where society reverses roles, Feste reflects joy. His name is a great example of the happiness he expresses. Feste sounds a lot like the cut word ëfeteû, which means party.In in all scene he plays in the second act, he starts to sing. He says to Orsino that he takes ë enjoyment in singingû which truly proves his interest in what he does. In other words, he is a man that likes his job. entirely the name Feste associates with the twelfth night in a traditional way too. He is allowed to say whatever he wishes because he is a licensed lollipop, as we appoint out when Olivia referred to him as ëan allowed foolû. This granting immunity of speech fits in well with the shock of roles involved in the 12th night ritual. When Olivia orders ëtake away the foolû, he break ups ëtake away the ladyû.This gibelike answer would have ended the piece of work of any of the other servants of the lady. But, even considering the hardened hierarchical structure of society at the time, Feste can say whatever he thinks as long as he says it in song or in a comic manner. Moreover, Festeââ¬â¢s job contrasts with his abilities. Since he is a fool, we expect him to be illiterate, certainly not very perspicacious, just on the contrary, he turns out to be the most intelligent character of the play. This is shown by his developed sense of repartee orphic through his role of jester.For example, in the brook scene of the first cloak, Maria criticizes Feste of having no real br avery, as he pretends to have, compared with soldiers. He answers that everyone should do what he is good at (ëAnd those that are fools, let them use their talent. û). This result seems able and philosophical. But Feste as a fool is obviously someone with a great sense of belief. Over basketball team hundred years, many ideas about vitality and society have changed and evolved, barely humor has remained universal. Festeââ¬â¢s talent and ability is to rampart himself with his persona as a fool, but to offer insights and insults of a very wise man.He never behaves badly or in a juvenile way: play around with food, drinks or other accessories. His merely accessory is language. Scene 3 of Act 2, Sir Andrew jokes about Feste because of his status but Feste replies: ëHow now, my black Maria! Did you never see the picture of ââ¬Å"We deuce-aceââ¬Â? û implying that Sir Andrew, Sir Toby and himself are fools. This short answer is hilarious because Sir Andrew is wordless but the wily tone emphasize the comic feature film of the quote. It seems to me that fools like Feste have two roles in Shakespeareââ¬â¢s plays.First, they provide comic musical accompaniment to what might otherwise be a heavy, if not discourage story. We look in front to their appearance to give us an uplift from the more serious developments in the plot. Without the fool this story would have had a wholly different tone, simply a depressing tragedy. Second, they are the characters with which we, the audience, identify. Yes, we too are in truth insightful and we too see all the foibles and vices of the characters and we too would express our thoughts and observations through humorous banter if we lived in these social circles in these times, or so we like to think.\r\n'
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